Thinking Anglicans

A pregnant pause

As Mary makes her weary way to Bethlehem the Christ within her is about to face one of the most dangerous moments of his existence. For both mother and child the journey from womb to outside world in first century Palestine comes with a high mortality risk; their fates entwined together, either might kill the other.

St Luke gives few insights into the unborn Christ, telling us briefly of how John the Baptist, himself yet unborn, leaps in Elizabeth’s womb when Mary visits. But that account, taken with the story of Gabriel’s visit, is enough to establish that the Son of God did not take on human form at any point later than conception. It’s not a point I’ve heard dwelt on by preachers and theologians, and liturgically it all gets lost in the joy of Christmas when we gaze in awe at the infant in the manger, yet the nine months of Mary’s pregnancy matter.

The Early Fathers had a knock down argument for the necessity of the incarnation; “What has not been assumed (by God) has not been saved”, they stated. The salvation of humanity could only be accomplished, and was fully accomplished, by true God becoming truly human. Christ became first a single vital cell, then a rapidly dividing clump of cells, then embryo and foetus. Just as the creed affirms that at Easter Christ descends to hell to save the dead, so, in these nine hidden months God works the salvation of the many that will never see the light of day: the miscarried; the aborted; the stillborn.

At the same time he himself is being fashioned both by God and Mary. A recent academic study found that human metabolism is fixed before birth, so that, inter alia, mothers who diet during pregnancy are more likely to have children with a lifelong tendency to obesity. How Mary has lived during these nine vital months will affect, indeed quite literally shape, her son for the whole of his life. She is no passive incubator of the divine child but fully part of his formation. He shares not just her genes but the consequences of her actions. We, who share her flesh, are both active in the drama of salvation and shapers of the living Christ that is revealed to the world.

In little over a couple of days the full joy of Christmas will be upon us; for today the task is to pause, and be with Mary in her pregnancy, and all that it means for us.

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Seasonal Greetings

Over the past week, I spent a few days in the United States of America. In America, they know how to do Christmas in style. Yes, I know, it’s not Christmastide and all that, but of course all the Christmas decorations are up, and every PA loudspeaker you encounter is belting out either Christmas carols (more likely than not as interpreted by Bing Crosby), or else 1950s Christmas-and-snowflakes-themed songs. And I don’t care whether that’s cool or not, but I like it, even a lot.

While in California I went to a local crafts market, and enjoyed the products on offer, and bought a few of them. But there was something that caught my eye in particular: a small business selling what I might call unusual greeting cards. The first one I saw had the following happy exclamation on the cover: “Here’s your f***ing Christmas card!” And the second continued with the theme: “Happy F***ing Holidays.”

Maybe I should have been scandalised, but in fact I burst out laughing and bought a few of both, already forming a plan as to who would be worthy recipients. At least one of them was a member of the clergy, by the way.

Of course I am not suggesting that we should move over to a rather coarser, or for that matter more cynical, view of the season of the Incarnation. But equally, the Incarnation is not some kind of celestial bubble wrap that protects us from the shocks and prods of “real life”. When God became man, God did not come into a world of sweet fairy tales, but into humanity as we know it with all its edginess.

Of course, we are now in Advent, a season in which to prepare and reflect. So whether your kind of Advent is the experience of quiet and penitential reflection, or the in-your-face call to repentance of John the Baptist, or joyful anticipation, it may be good to remember that the season that follows may have its harder edge for some people, and that our preparations should also anticipate that. I haven’t sent the cards after all, but as I write I am looking at one of them, and I find that it’s a useful aid to my spiritual life at this time of year. Just for once, at least.

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Private feast, or public festival?

Talking to a young Nigerian woman this week, I asked her what she thought of the approach to Christmas in our part of east London, and how British celebrations contrasted with those in her home country. ‘It’s very quiet,’ she said. ‘In Nigeria, there would be people out dancing and singing, wherever you go.’ There’s a climate issue here, of course. As I write, the rain pours down out of grey skies, and shoppers scurry along the high street, heads down under their umbrellas. Any carol singers, let alone dancers, aren’t going to receive much notice.

There’s also an underlying question about the balance of public and private in our observance of the festivities. We lead our public life in the run-up to Christmas (and in the days immediately afterwards) on the high streets and in shopping centres and retail parks. Those are our places of encounter with the stranger, with those who are in some way not ‘ours’. We all share in the queue for the till, we compete for the bargain or for access to the mirror, we mutter apologies as we take each other’s space. Occasionally we will pause together, our attention taken by some religious, civic, or commercial offering for general consumption: the Salvation Army band or a school choir if we are lucky, the mall grotto or recorded carols and a mechanical Father Christmas if we are not.

There are halfway houses between this public life and the privacy of the home. They are the places where we are part of an extended group, drawn together by common interest which takes us beyond the domestic circle. Parents and carers gather for the school nativity play; we still have very traditional nativity plays in multi-cultural East Ham. For those who work together, there is the office Christmas party, or its substitute. Every club, be it Rotary, bowls, line dancing or the Women’s Institute, will have its Christmas do.

When it comes to Christmas Day, however, the gears change. Just look at the TV advertisements: Christmas is a private event which happens in a purely domestic setting and is just for family, or at most for friends so close that they replace family. We close down, retire behind our front doors, and hide, safe from the threat of the unfamiliar. Even the pattern of churchgoing increasingly conforms. For all but the hard core, the religious bit of Christmas is something to be got out of the way before the day itself. Crib services and Christingles on Christmas Eve are the great growth area, especially for the very occasional or once a year churchgoers; and even for the faithful and observant, Midnight Mass means that church is done virtually before the feast day begins. We, too, have our ‘common interest’ event before the festival.

Does this domestication have its roots in the Reformation, with Luther’s reinvention of the family as the location of everyday holiness, and the loss of the Catholic tradition of the public and communal? Are we re-engaging with the domesticity of the Jewish Sabbath? Does it derive from the breakdown of shared culture in a post-industrial and multi-cultural society? Can we blame this, too, on late capitalist consumerism?

Whatever the underlying reasons for this pattern, it is worth noting that the most significant group for whom Christmas is experienced in public, as a time of consorting with strangers in a place not their own, are those who have no home, or for whom there is no family provision. The centres provided by Crisis, the church and charity Christmas lunches for the elderly and lonely, these are the places of the non-domestic, unprivatised Christmas.

When I get home after morning service on Christmas Day, like most clergy I shall shut the door with relief, and relax in the company of my family. But niggling somewhere will be a question about the contrast between that pleasurable experience and the story of good news announced noisily and very publicly with a choir of angels and a star, and a stable whose door seemed to be perpetually open to those who wanted to come and see.

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About those bridesmaids

Ten bridesmaids took their lamps… (Matthew 25.1-13)

Among the Advent stories of the need to keep watchful, this one adds a different twist. All ten fell asleep, but some had taken the precaution of providing themselves with more oil.

It isn’t surprising they slept. After many generations, we are still waiting. Our grandparents knew the value of keeping the reserve of oil; they had lived through wars and depression, and recognised a need for caution. But their attitude has gone out of fashion. It’s as though the bridesmaids woke up one morning and decided that their wedding garments were now seriously out of fashion, and that it would be fun to trade some of that carefully stored oil for a brand new outfit.

We did save once. And for a time when interest rates reached double figures our savings appeared to be capable of giving almost instant gratification to our desires. But then interest rates fell, and only property seemed to be climbing in value. We stopped saving, and tested the inflated value of our homes by re-mortgaging to give ourselves a treat; a holiday, a car, a new kitchen, or just the brand new outfit in order to keep in the fashion.

The building societies found that the savings had dried up, so they had to look for funds elsewhere to satisfy the inflated demands of their clients. And now the lamps are going out for lack of oil. We can’t go back to the banks. They have no more funds, and besides, our houses aren’t worth what we once claimed.

We are told that, in desperation, people are looking to churches for a way out of the dilemma, or at least for some relief from their pain. But the one who said ‘Do not store up for yourselves treasures on earth’ is not likely to feed our addiction to consumerism.

Fortunately, all we face at the moment is a credit crunch which might bring us to our senses, rather than the appearance of the bridegroom heralding the end of the age. So there might, in this Advent season, be time to reassess our priorities. We might learn to wait, this time for something really worth waiting for.

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The power of story

There is an old saw which says that God invented humanity because God loves stories. In the tradition of the Hebrew people, there was a prohibition against rendering their God in the plastic arts and so they went to town on narrative and thoroughly delighted in it. The Hebrew sacred texts are story and counter-story describing worlds and the God who is active in those worlds. If you are familiar with the world painted by the Deuteronomist, that you get what you deserve, and God rewards the righteous, then the Book of Job comes alive as a counter-story, protesting that ill-fortune falls on the righteous too, and the reasons are hidden in the depths of God.

The Christmas stories are counter-stories. They are stories which are holding out for a God and a world which will work differently to the one in which the storytellers live. Matthew uses the Moses story, and Luke the call of Samuel, to tell their listeners that the God who was present in these classical tales is present in Jesus of Nazareth. We know that the Christmas stories are counter-stories because they use words for Jesus of Nazareth which the early audience will have associated with Augustus Caesar. Caesar was Son of God, Prince of Peace, and our Christmas birth story writers are saying that Jesus is these things, in other words, Jesus is, Caesar is not. Caesar’s Roman Peace is fine if you are Roman, and so long as Caesar has the biggest army. The peace of Jesus of Nazareth is about seeking out those who do not benefit from Roman peace, and including them at life’s table. Our Christmas stories are asking us whether our God is more likely to be found in a Roman palace, or a cow’s feeding trough.

All of this is commonplace for first year students in Biblical studies, I’m saying nothing new. But over the last several years my worry has been that we have lost our grip on the power of story. When you clear our public spaces of religious stories (particularly those pressed into the service of worldly interest) you are not left with a pristine post-Enlightenment space. The power of stories is that they are ways of inviting us to consider who we might be, they invite us to make lives in the worlds they describe, and they invite our loyalty and our resources. This is too much power to be left unfulfilled.

Into this space come the storytellers we know, news organisations, spin doctors and advertisements, each seeking to frame the world and our place in it. With the technological gap between generations, the worry is that our children are being formed by stories told by Nintendo, Sony and the like. After school our children step into virtual worlds which are laid out before them. They can progress through these worlds with the purchase of each upgrade, and they are being encouraged to acquire skills which will help them be promoted through the moral universes the games companies have described.

All of this goes by stealth because this happens unsupervised. Work-weary parents may even be grateful for the diversion. Narratives are being quietly assimilated, and these are shared in the schoolyard, and young friends measure each other by their skill and knowledge in worlds barely guessed at by those who have the care of developing the next generation.

We need to dispense with the tinsel-and-teatowel Christmas and recover its visceral power in the world where the story was first told, a world which was about brute force and malnutrition. We need to rediscover the power of telling stories of a God which runs counter to the prevailing values of the day.

If we can recover Christmas as a counter-story in its own day under Rome, we might want to start telling new counter-stories about the God we believe in, in our own day, to the Playstation generation.

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The great king's feast

On this day in the year 1637, a man reported a vision that he had seen. ‘I have been at a great feast,’ he said, ‘O, magnify the Lord with me.’ One of his hearers asked him, ‘At a feast?’ and he replied, ‘Ay, at a great feast. At the great King’s feast.’

These were the last words of Nicholas Ferrar, who died at Little Gidding shortly after midnight on Monday 4 December 1637, just as Advent Sunday had ended.

In Advent the Church traditionally focuses on ‘coming’. Perhaps primarily we think of the birth of Jesus at Bethlehem, but the lectionary reminds us of other themes too: the role of John the Baptist; the prophets; judgement; the kingdom that is to come.

Ferrar’s vision of a feast was and remains one of the central images of the coming kingdom — a time of plenty, a time when all shall be welcomed to eat at the table in God’s household. It’s an image that Jesus uses frequently in his parables about the kingdom, and it is an image that comes to us from the Old Testament prophets. Isaiah foretells that God ‘will make for all peoples a feast of rich food, a feast of well-matured wines’ (Isaiah 25.6).

In Isaiah this is all seen as part of the time when God shall rule the earth from Mount Zion, and the poor, the humble, the downtrodden will be raised up to a place of honour. Death itself will be swallowed up for ever, and God will wipe away the tears from the people’s eyes. Isaiah’s prophecy was made at a time of great difficulty for the people of Israel and it proclaims his belief that, however bad things looked, the God of Israel would remember those who were faithful.

Isaiah, moreover, proclaims his great idea that the God of Israel was supreme, the only god, and that God is a lover of justice and mercy, rather than an unfaithful tyrant. Jesus develops the idea further: he does not simply talk about feasting in God’s kingdom; in addition he actually sits and eats and drinks with the underclasses and the unclean, declaring by his actions that their sins are forgiven (because they needed no further ritual cleansing) and that they are favoured by God. Jesus’s respectable contemporaries were scandalized by this behaviour, but it is all too easy for us not to see the scandal, and even easier for us to pay lip-service to looking after those less favoured by society in our own day.

Nicholas Ferrar and his family, living a quiet and godly life at Little Gidding, did not forget the poor and needy. They welcomed into their household a number of poor widows, they provided alms and education for many, and Ferrar, utilizing his training in medicine, ran a dispensary for the neighbourhood. And we too, each of us in our own lives, can perhaps take some simple and practical steps to alleviate the suffering around us. In this way, as well as by prayer and faith, we will help to realize God’s kingdom here on earth, and proclaim the Advent hope to the world. That is our challenge this Advent.


Today at Little Gidding, a service of Holy Communion will be celebrated at the tomb of Nicholas Ferrar to honour his memory and his example of spiritual determination and faith in an age of great trouble. In the eucharist we enjoy a foretaste of the banquet in God’s household. May we, with Nicholas Ferrar and all God’s holy people, sit at the great King’s feast!

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‘a cult of bones’?

The Independent reports on the plan to exhume the remains of Cardinal Newman from a grave in which he was buried at his own request beside a priest, Fr Ambrose St John. The intention in moving his remains is to allow them to be venerated in a more suitable place, Birmingham Oratory.

The issue touches first on what we consider Christianity to be. Is it based on the bodily resurrection of Jesus, his appearances, an empty tomb with no bones remaining, and communion with the living Lord through the sacrament of the Eucharist in which we share his body and blood, or is it based on a cult of the bones of good people?

If we believe in ‘the resurrection of the body’ what is communicated by the tearing apart of the remains of saints limb from limb and sometimes slice by slice so that parts can be taken to different places for veneration?

I can venerate Newman by continuing to draw inspiration from his writing and his life without the need to be close to his mortal remains, just as I can be a Christian without the need to visit the Holy Sepulchre.

I have led pilgrimages to the places where saints lived and worked, in particular to places associated with St Teresa of Avila and St John of the Cross, and find the same is true. I may be inspired by the context in which saints lived and worked, particularly at a place like the Convent of the Incarnation in Avila. But Teresa’s body isn’t there. The place remains an inspiration just as the Birmingham Oratory is one without needing the bones of Newman. It was part of his life, and the life can still inspire.

The removal of Newman’s remains raises another issue. Cardinal Newman wrote shortly before his death: ‘I wish, with all my heart, to be buried in Fr Ambrose St John’s grave — and I give this as my last, my imperative will.’ If the Church values the inspiration of Newman, his wishes should not be set aside. Moving his body against his stated wish is not an honourable way to venerate him. When he stated his wishes for his burial he knew all about the ways in which the deceased are venerated within his Church, and deliberately chose not to be buried at the Oratory, which others may have seen as an obvious choice.

The Independent article highlights the reason for Newman’s choice of burial place; his close affection for Ambrose St John. If Newman is to be reburied, then the remains of the other member of the Oratory should also be moved back to the place where he also served. These men were united in life and in mission, and they should be united for eternity. More importantly, if we wish to remain close to Newman’s heart, and treasure his memory, then our faith, like his, should be in the presence of the risen Lord.

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Here let us stand

‘Since Christmas a day: and the day of St Stephen, First Martyr.
‘Since St Stephen a day: and the day of St John the Apostle.
‘Since St John the Apostle a day: and the day of the Holy Innocents.
‘Since the Holy Innocents a day: the fourth day from Christmas.
‘To-day, what is to-day?’

So wrote T S Eliot at the start of the second act of his play Murder in the Cathedral, written for the 1935 Canterbury Festival, and first performed in the Chapter House at Canterbury, just a few yards from where, on this day in 1170, the Archbishop of Canterbury, Thomas Becket, was killed.

The murder, or assassination, of Thomas Becket within his cathedral church shocked the whole of western Christendom. Within three years he had been canonized, his name added to the roll of saints of the Church, and King Henry II forced to do penance for his role in Becket’s death. From Iceland to Italy there are churches dedicated to St Thomas of Canterbury, and relics, statues and images from just a few years after 1170.

The cause for which Becket died, however, is not one that today we necessarily regard as unambiguously right. As Eliot has the assassins remind his audience, the rule of law that we treasure as a great protection was begun by the reforms of Henry II that Becket stood against. ‘Remember,’ says the Second Knight in his speech to the audience, ‘remember that it is we who took the first step. We have been instrumental in bringing about the state of affairs that you approve.’ On the other hand, the rule of law that Henry II was introducing was harsh, whereas the rule of the Church, which Becket wanted to encompass as many people as possible, was more lenient.

And yet we cannot easily regard the murder of Becket as justified, even if we can agree with some of the sentiments Eliot has the knights express. The end does not justify the means. The powerful cannot go around murdering those they disagree with, whether they be political rivals or obstacles (as Becket had become to Henry II), or the weak and impoverished (as the boys of Bethlehem were to Herod, or indeed today). The prophets of the Old Testament remind us of this too: we see David brought to book by Nathan for arranging the death of Uriah, the husband of Bathsheba (2 Samuel 11, 12); and Elijah foretells disaster on the house of Ahab for his complicity in bearing false witness against Naboth and causing him to be executed (1 Kings 21); and there are plenty of other examples.

The very rule of law that Henry II wanted to introduce requires that arbitrary exercise of power is not allowed. The murder of Thomas Becket reminds us still that the rule of law (tempered by equity and mercy) is fundamental to the Judaeo-Christian tradition, and that it applies as much if not more to the rich and powerful and to the rulers as it does to the dispossessed, the powerless and the ruled. Those in power must always be held to account for their treatment of those who are in their power.

‘To-day, what is to-day?’
‘Let our thanks ascend
To God, who has given us another Saint in Canterbury.’
‘Blessed Thomas, pray for us.’

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Wholly Innocent

Today, the fourth day of Christmas, the Church remembers an incident recorded in Matthew’s account of the birth of Jesus. The evangelist tells us how Herod, warned that a ‘new king of the Jews’ had been born in Bethlehem, gave orders for the massacre of all the boys aged two years or under in and around Bethlehem. The evangelist notes that this is a fulfilment of the words of Jeremiah. Later legend puts the number involved in the thousands, or even in the hundreds of thousands, though it has been estimated that the likely number of boys of that age in a town the size of Bethlehem might have been around twenty.

Scholars doubt the historical accuracy of this story, and we do not need to take it literally to commemorate today all who are wrongly persecuted and betrayed by those who should be protecting them.

The young boys in the story know nothing of Jesus, nor indeed of the politics and powers of this world. They cannot by any stretch of historical or theological imagination be described as Christians. Just babies or toddlers with a few words, they are the epitome of powerlessness and vulnerability, still dependent on others for all their needs. Primarily they depend upon their parents, but secondarily they depend on their neighbours, and on the earthly powers-that-be for protection from the evils and disasters that can strike at any time.

And despite their ignorance of Jesus, the Church has from ancient times commemorated them: a reminder that God’s love is for all; a reminder of the sufferings endured by so many; and a reminder of our responsibilities towards those who depend upon us, and those who are weaker than we are. And a reminder too of the need to hold the powerful to account, and to ensure, so far as we are able, that they too remember their responsibilities to the weak and powerless, and not abuse their power for their own ends.

It is a sad fact that such abuse of power and responsibility not only still exists, but also that it is not just confined to the obviously evil. From terrorists exercising power without responsibility, not caring about the suffering of the innocent, through politicians convinced of the ‘greater good’, to religious leaders who fail to use to the utmost their moral power and influence, we still see connivance, deliberate and thoughtless, in the persecution of those who have every right to expect the protection of the more powerful.

The best way in which we can commemorate this feast today of the Holy Innocents is to speak out against and to work towards the end of the tyranny of evil. Not just this day, but every day.

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In the Beginning was the Word

‘In the beginning was the Word’. So begins the gospel according to John, and it is John that is commemorated today: John the apostle, and John the gospel-writer or evangelist — perhaps the same person, perhaps not, but apostle and evangelist commemorated as one today.

In this prologue to the good news of Jesus of Nazareth, the evangelist writes in poetic language and connects the eternal Word of God with this living person, Jesus of Nazareth, whom he had known.

In the beginning was the Word

The universe is something that we observe, and in particular something that scientists observe and try to understand. And one of the things that they observe is that there is something about the universe that tends towards what might be called ‘creativity’. At one level this can be explained as a result of electro-magnetic and nuclear forces acting at infinitesimally small distances or of gravity acting over unimaginably large distances. It is these forces that create galaxies and stars, that cause the creation of the elements within these massive stars and the dispersal of these elements around a galaxy to enable younger stars and planets to be formed. At another level it is the creation of localized negative entropy systems (though there is net gain of entropy in the larger closed system) which enables life to exist here on Earth.

This ‘creativity’ seems to be built in to the universe that we inhabit and observe, and to the scientist this can be described by formulations such as the weak anthropic principle (that if the universe were not pretty much like it is then we wouldn’t exist and so wouldn’t be here to observe that it is like this).

In the biological and social spheres we can observe similar tendencies towards creativity — in biological reproduction, and in the care that we as humans try to take towards the young and to those responsible for them, and towards each other. And we see it in our own attempts at creativity — in the arts and in the sciences.

As Christians we can associate this ‘tendency towards creativity’ with the divine creativity. In John’s gospel, following the lead of Greek philosophers, this creativity is called the Word, (the ‘Logos’ in Greek), and the writer reminds us that everything was made through this creativity, nothing was made without it, and that it was there from the very beginning. This can be compared with the poetry of Genesis, in which it is similarly the word of God that brings the universe into existence.

And the Word became flesh and dwelt among us

And then, says the evangelist, ‘the Word became flesh and dwelt among us’. This creativity, this divine spark, was uniquely focussed in a particular human being, the human being we know as Jesus.

This creativity is revealed in Jesus to be at one with the divine love — love for the creation, love for our fellow creatures, and love for the divine creator. This profound religious truth is revealed to us in the incarnation, in the message of Christmas, and recorded for us by the evangelist, John. And as we struggle towards understanding we can understand too that the creativity and love that is at the heart of our own human existence is also part of that divine creativity, the divine inspiration or inbreathing of the Spirit of God.

We saw his glory, such glory as befits the Father’s only Son, full of grace and truth

The glory of God, the glory of creation, is revealed in human love, shown to us in the life and teaching of Jesus who cared about all who suffered, and shown to us today by all who follow that same path.

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On the Feast of Stephen

‘Good King Wenceslas looked out,’ we sing in the popular carol, ‘on the feast of Stephen’. Today is the feast of Stephen, perhaps the most under-observed feast in the calendar. Its proximity to the feast of the Nativity is intended to honour Stephen, the first person to suffer death for their faith in Jesus of Nazareth — but in practice this proximity means that most people, even seasoned churchgoers, are taking the day off.

Stephen, though, deserves more than a passing commemoration.

Stephen was a Greek-speaking Jew, described as ‘full of faith and the Holy Spirit’. In the earliest period of the development of the Church, when it had become too large for the Twelve to manage by themselves, he was chosen as one of seven men to look especially after the Greek speakers in the Church, and particularly to ensure that the widows received their share of daily bread.

The initial description of the role of Stephen and his six fellows is a servant ministry, and although not described as such, they are accounted as the first deacons.

But Stephen and the others were not limited to ensuring that the widows received their daily bread. Stephen did great wonders and signs, and disputed with other members of the synagogue. And so he was brought before the Council, and stoned to death.

In the Acts of the Apostles the author tells us two more things about Stephen. First, Stephen is given a lengthy speech in which he describes the great sweep of Jewish history, from Abraham onwards, all pointing towards the birth of Jesus, and in which he criticizes the leaders of the Jews for resisting the Holy Spirit, persecuting the prophets, and not keeping God’s law.

Secondly, the description of Stephen parallels that of Jesus in many ways: being filled with the Holy Spirit; seeing the Son of Man at the right hand of God, as Jesus promised he would be; commending his spirit to Jesus, as Jesus commended his to the Father; kneeling as Jesus did in Gethsemane and asking forgiveness for his persecutors.

Witnessing to Jesus by acting like Jesus in every way is thus seen by the author of Acts to be essential to the Christian life.

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Alleluias from a Good Friday people

On Friday the local ecumenical act of witness, packed in between Sainsbury’s and the gates of the market, featured a gospel group, the accents of the old East End, prayers led by a Nigerian nun, songs in Urdu, and a Portuguese version of ‘Jesus, name above all names’. It was very wet, and mildly chaotic.

Nothing wrong with any of that: indeed, there was much to welcome in a gathering of such diversity bearing witness together, and it certainly illustrated the variety of Christian communities in this part of east London. But I came away to prepare for Stations of the Cross in our own church and on the way I was talking to a friend. The two of us found ourselves struggling with the inability of some of our brothers and sisters to stay with Good Friday; they had raced ahead to Easter, to the triumph and the alleluias, while we were still focussed on crucifixion, on suffering and on death.

Different traditions work in different ways. But I think there was something deeper and more subtle at work as well.

Every couple of months, in our Sunday eucharist, we change the way in which intercessions are offered. Instead of one person coming forward to speak on behalf of the rest, we invite anyone from the congregation to offer prayer for a person or place or situation who or which is a cause for concern or gratitude. What we hear is a very powerful statement of the pains and needs of the people present, their families, the situations they have left behind. What we very rarely hear, although they are always invited, are words of thanksgiving.

Perhaps we are a people who understand Good Friday much better than we do Easter. Suffering, grief, loss, these are familiar states. Any priest or pastor, looking round her or his congregation, will know a fair number of those who are struggling – and know that there are more whose struggle is hidden. Here, amongst the 60 or so who will gather on a Sunday, I can recognise those whose lives are shadowed by untimely death, sometimes violent, by poverty, by worries over residence qualifications, by domestic violence, by imminent or recent bereavement, by poor health, mental or physical.

So, when we say or sing or even shout our ‘alleluias’ today, what are we saluting? And what relationship do those ‘alleluias’ have to our intercessions? We are not, of course, acknowledging the disappearance of suffering in each of these lives, and in the world to which this congregation is so well connected. Nor are we rejoicing in a facile conviction that our own contributions to injustice and pain have suddenly disappeared. But those prayers of intercession come from a heartfelt need of God’s love and support – and a deep, absolute, trust that it will be found. And I think it is that trust which we will celebrate. It is a trust, articulated or not, in the eschatological promise, in what J D Crossan describes as ‘the Great, Divine, Clean-Up of the world’.  The promise of another way, which is not just for the hereafter but which is already being followed. The way of violence, of damage, of exclusion has been challenged – and the heart of our resurrection belief is that the challenge has been triumphantly, mysteriously successful.

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Our inheritance

There is a stillness to Holy Saturday which is quite unlike any other time of the year.

The quiet between Christmas Day and new year’s is an exhaustion, not least from trying to keep events focussed on God’s place in the stories, amidst the corrosive demands both of an hysterical marketplace and childish sentimentality. This season of the year has a different quality of quietness, though it also has its subversions, more subtle and more insidious than Christmas. Two years ago, one made its way to the movies

Mel Gibson’s The Passion of the Christ, was a depiction of the last 24 hours of Jesus’ life. The script was based on an 18th century work, a transcription of the meditations on the passion by an Augustinian nun, Sister Anne Emmerich. It was a brutal, savage depiction of an idea that Jesus suffered because God demanded his life in compensation for the affront of human sin.

It was the latest and very gruesome incarnation of an old thread running through Christian theology, from Ambrose to Anselm and beyond, that only the violent sacrifice of a perfect and sinless Jesus could appease a God whose honour had been offended, and whose anger had been aroused by sinful human beings.

On both sides of the Atlantic, churches block-booked entire cinemas. The faithful were told that this movie showed how it really was, this is what people on the edge of Christian faith need to see, in order to turn to Jesus. The problem was that, for many, it backfired. Whatever the film evoked in our feelings for Jesus, it did not instill any sense of gratitude to God. While one could believe in a divine father who might demand such things of his son, one could not love such a God, who emerges as brutal, affronted and barbaric.

Once you begin to believe in a God who demands compensation, you inherit a spirituality which is always demanding that we give more to assuage our sense of imperfection and failure to live as we feel we are required. This may be why churches which espouse such an understanding of God and sacrifice, also have large incomes.

There is another view of what Jesus accomplished, but it is not so straightforward, does not slot neatly into a Christian basics class. In the sermon we call the Letter to the Hebrews in the Christian Canon, the writer is addressing a congregation creaking under the demands of a compensation demanding deity. The writer describes Jesus as a great High Priest, one who walked as we do, experienced life as we do, endured the same trials as we do but, in all he did, he stayed on track. He did not allow the dark powers to set the terms of engagement. Unlike the War on Terror, in which we have mimicked and multiplied the violence of those who provoked it, Jesus did not return evil for evil, he never compromised his humanity.

The writer to the Hebrews describes Jesus’ last days in terms of offering himself as a sacrifice in the temple of God, not as one taking the punishment necessary to appease an angry God, but as a whole human life fully lived and uncompromised, life as it was created to be.

It matters what we think Jesus accomplished on Good Friday, because from it we decide what God demands us to be and do. Mel Gibson and those who think like him can only deliver us into the hands of a vengeful God, whose demands lead to a relationship between father and son which scarcely bears contemplation. The writer to the Hebrews presents us with a Jesus who is able to let evil pass through him, and not knock him off his course; a Jesus who, in the midst of suffering, cries out, “with prayers and supplications … to the one who was able to save.”

There is a stillness to Holy Saturday which is quite unlike any other time of the year, it is a lull before the end of the story, Jesus’ story and our story. For Jesus it will be the empty tomb, but the writer to the Hebrews tells us that Jesus calls us his brothers and sisters so, in the stillness, we contemplate what is possible for us to follow his way to become fully human.

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When Sin Has Done its Worst

As we come before the cross today, we inevitably ask “Why did Jesus have to die like this?” Yes, the incarnation, accepting human life, brought with it the inevitability of some kind of death. But did it have to be the kind of death portrayed all too vividly in Mel Gibson’s The Passion of the Christ?

Our founding myth tells of the first death, the murder of Abel, at the hands of his brother Cain, and its message is remarkable. Both brothers had offered sacrifices to God.

The Lord said to Cain, “Why are you angry, and why has your countenance fallen? If you do well, will you not be accepted? And if you do not do well, sin is lurking at the door; its desire is for you, but you must master it.”

History, they say, is only told by the victors. They make excuses to prove their own goodness. They affirm the righteousness of their cause in destroying those who opposed them.

But the Bible starts on the other foot. There is, of course Cain’s excuse that his resentment has made him think that God regards his brother’s sacrifice more highly than his own. But it is clear in the telling that he is only trying to justify his own envy. God’s judgement is that he is called to overcome temptation and not yield to the sin he has in mind.

Scripture reveals that murderous envy is the founding sin of humanity. It is this which will bring about the death of God’s Son. It is so universal that it is central to every tragedy, from Greek myth to Italian opera. It has been present in every good night out at the theatre for millennia. And because the tale is so well told, it seduces us into believing that this is how life should be.

The tragedy opens with the introduction of a great hero. But quickly, the person most to be admired, the person everyone would like to be, becomes the person most envied. And the tragedy provides an outlet for the envy felt by the audience. We know that the hero will die. A fatal flaw is discovered in the hero’s character.

We could turn the biblical story into a classical tragedy, starting with the line

the Lord had regard for Abel and his offering, but for Cain and his offering he had no regard.

In a Greek drama we could explain the murder by playing on the capricious favouritism shown by the gods. But the Hebrew scripture, more faithfully to God’s eternal plan, simply reports the sin.

Cain was very angry, and his countenance fell.

In the universal human tragedy, the envious must have their revenge. Shakespeare’s famous line from Julius Caesar “et tu, Brute” reveals that the closest of friends shares in both the murderous envy and the violence.

As the Psalmist says

Even my bosom friend in whom I trusted,
who ate of my bread, has lifted the heel against me.

Once the sin of envy takes hold, everyone in the theatre, whether Greek, Shakespearean, the New York Met or the courtyard of Pilate’s house joins the mob baying for blood. They know how tragedy ends, and even the disciples cannot resist. The Roman governor who correctly deduces that Jesus has been handed over because of envy has to go along with the wishes of the mob, because their lust for blood is getting out of hand. If they are refused their victim, they might turn on Pilate himself. They have come to see a tragedy. Caiaphas the high priest had predicted “You do not understand that it is better for you to have one man die for the people than to have the whole nation destroyed.”

It still happens. In the wake of 9-11 the President of the United States found himself at the head of a nation demanding retribution. Like Pilate, he knew that he had to find a victim, or he would be driven out of office. His victim, the man he envied, was in Iraq. Saddam remained confidently in place years after George Bush senior had been consigned to history. Bush envied his long term hold on power, he envied the oil revenues, he envied the richness of this culture which so evidently despised the West and he envied the loyalty of the Iraqi army to their leader. As in all tragedies, Bush would start a lying rumour about the man he envied — links to terrorists, weapons of mass destruction — it didn’t matter what. So long as people would join him, then the victors would be able to write their own history afterwards, a history in which they would declare that God was on their side. Blair and Aznar were willing members of the cast of America’s tragedy.

But violence breeds more violence. Iraq has no government. It is on the verge of civil war. It has been bombed into third world status. The liberators have been revealed as persecutors. And for Bush, the impresario of the theatre of death, the only remedy is seen as inviting the world to watch another tragedy, this time with Iran as the envied hero who has to be murdered. Where will it end?

We should have learned from the tale of Cain and Abel. The writing was on the wall from the first murder in scriptural history. We should have learned that envious murder is a sin. Envious murder is not an art form to be celebrated, or a way for people and nations to relate to each other. The foundation of every tragedy is a lie. Surely, when we see what art is displayed in the cause of tragedy, Satan’s greatest victory is the lie that the mob is right in murdering the person they envy.

So the eternal Word of God, through whom all things came into being, came in person, in the hope that even though those who claimed to be his own people might reject him, some of them might actually perceive that there was a different way. Life, not tragic death, was its foundation.

Even his disciples couldn’t believe he was serious about the consequences of his mission. They couldn’t see that his goodness would arouse such envy. All too soon they found themselves sucked into it. But on the way they discovered just enough to be able to recognise a different way, and that when sin has done its worst, God’s plan of love and justice is ultimately accomplished for all humanity from Abel onwards, in the resurrection of the dead.

“The light shines in the darkness, and the darkness has not overcome it.”

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Feasting in God’s Kingdom

Maundy Thursday is a turning point.

Up to today Jesus’s ministry has continued — preaching and teaching, proclaiming the kingdom. But after today the pace quickens considerably, with his arrest, trial and death before another 24 hours have passed.

Maundy Thursday is a turning point too in the story of the relationship between God and humanity.

Throughout his ministry we see Jesus acting out the very message that he was proclaiming. He tells his listeners that the kingdom of God is at hand, that it is among them — and all the while he is doing the things he is talking about. He proclaims that in God’s kingdom the blind will see, the lame will walk, and the sick will be healed — and he goes around restoring sight, raising the paralysed, curing the sick; he proclaims that the kingdom is like a feast to which all will be invited — and he goes around eating and drinking with everyone, from members of the Council to the outcasts of society and the ritually impure, in their ones and twos and in their thousands.

Jesus is not just proclaiming the kingdom, he is also living it: he is inaugurating it and embodying it. And he draws his disciples and others into this realization of the kingdom, above all when they share a meal together.

And then in the last meal before his death, Jesus does something new.

Earlier in the week we saw Jesus’s challenge to the sale of sacrificial animals in the Temple, a challenge to the Temple cult and the covenant which underpinned it. The time of the old covenant is past, and now Jesus inaugurates a new covenant.

In the Temple a person would offer for sacrifice an animal with which they had virtually no connection.

Jesus, however, takes in his hands something which every household would have, a loaf of bread, the work of human hands. As he has eaten with his friends throughout his ministry, so they are to remember him when they break bread together. And it is not an animal that he will offer for sacrifice. This bread, he says, is the body which is his sacrifice. This cup of wine, he says, is the blood of his sacrifice. Jesus’s new covenant between God and humanity, a covenant of fellowship with God in his kingdom, is inaugurated.

Jesus has taken ordinary bread and ordinary wine and declared that these are the sacrificial objects which his friends can offer. This gathering of friends is the temple and this table is the altar for the sacrifice. Forgiveness is offered, and its acceptance is signified by fellowship with Jesus. There is no need any more for the Temple in Jerusalem with all its failings. And at the same time, this meal is itself an enactment, a part, of the feast in God’s kingdom.

And there is one more thing to come. 

Before another day has passed Jesus himself will be hanging from the cross, his broken body and out-poured blood now once and for all identified with the bread and the cup. To the remembrance of Jesus’s table-fellowship is added the remembrance of his cross and passion.

Together, identification and remembrance form a sacrament: in remembrance we make present the once-and-for-all actions of Christ at the Last Supper and on the cross; and in identification we can truly see the bread and wine as one with the body and blood of Christ hanging on that cross. In the sacrament the sins of the penitent are wiped clean. And together we proclaim and feast in the kingdom. Here, then, is the sacrament of Jesus’s new covenant.

And yet this is a sacrament that in our human failings manages to divide the followers of Christ. It divides us in our theology and understanding of the sacrament, and it divides us into groups that forbid sharing the sacrament with others or won’t accept it from others who are willing to share. So, our prayer today should echo some more words of Jesus on this day: May they all be one, that the world might believe (John 17.21).

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Hercules in Holy Week

Handel’s Hercules, recently staged at the Barbican in London, was designed as an oratorio to be presented during Lent rather than an opera. After the great success of the Messiah, Handel had turned increasingly to serious religious works and away from opera.

The original story by Sophocles tells of Hercules’ tragic death after returning from successfully completing his twelve labours. In Greek myths great heroes are always envied. They become scapegoats who have to be sacrificed to restore harmony in the community. The envious mob, the audience at the drama, justifies the killing of the hero, by revealing his fatal weakness.

Hercules returns victorious from his labours with a captive princess, and his wife poisons him out of jealousy. In the Greek tragedy the hero has indeed been unfaithful to his wife, and this proves to be his undoing. His wife has a cloak which she thinks will restore the love of someone who has strayed, but in fact it is soaked in poison. So, according to Sophocles, the flawed hero gets his just deserts, and those who envied him feel justified in wishing him dead. The wife, who does not realise the cloak will kill Hercules, is found to be innocent.

Handel’s drama is retold as a moral tale suitable for Lent by a clergyman, the Revd Thomas Broughton. As in Messiah, the hero is portrayed as an innocent victim of envy who does not deserve to die. The jealousy of Hercules’ wife is without foundation. The story will reveal her sin as surely as scripture reveals the sin of those who crucified Jesus.

In Broughton’s story, Hercules is not unfaithful. He wants his son to marry the princess, and his dying wish is fulfilled when they accept each other. When Hercules dies he is welcomed into heaven by the immortal gods who know his innocence, whilst his jealous wife, realising the enormity of her sin, goes mad. The story has been rewritten with a Christ figure, and also a Judas.

Handel’s oratorio wasn’t popular. Perhaps the audience didn’t like the story Thomas Broughton was telling, because it points the finger at our murderous envy of heroes. His Lenten drama called the audience to the virtue of emulating our hero, rather than to the sin of envying him. And emulation, whether it is described as ‘taking up our cross’, or as ‘the imitation of Christ’, is our calling.

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doing Easter

Airline passengers arriving in Dublin will, as they leave the airport, pass a billboard poster advertising the Airbus A350 airplane. I have observed this several times and remain unsure of what it is there for. I don’t suppose we are being invited to consider purchasing one of these quality items. But maybe some bright spark at Airbus Industrie SA thought it would make a neat and rather exclusive gift; and in that case the decision to put up the poster around the Feast of the Epiphany (which is when it first appeared) made some sense.

Perhaps it is still possible to take the currents and rhythms of modern life and set them into the context of the church year. The Wise Men did not turn up in Bethlehem bearing the gift of an intercontinental jetliner, but even in our secular culture we have heard the references to gold, frankincense and myrrh enough to feel that what they did bring still has a contemporary resonance, and we can track the Christmas narrative into today’s world, including the world of commerce.

But is that true of the Passion and — if we can mention it gently during this week — the Resurrection? Dublin airport is still advertising the A350 today — so you have not missed your chance to take the special offer — and inside the terminal building the shops and other outlets are full of suggestions for gifts and delicacies ‘for this family season of giving’ (as one poster there suggests). I remember Dublin as recently as the mid-1980s, when you would in Holy Week hear only sombre music on the radio and see edifying black and white films on the television. Now all is changed, and Holy Week has become another great shopping opportunity, with Good Friday now one of the most lucrative days in retailing outside of the pre-Christmas season. Conversely Sunday and Monday will be rather quiet, and in Ireland there will only be a rather smaller number of people preparing for what for them is one of the absolute highlights of the year: the Irish Grand National at Fairyhouse on Easter Monday.

As Anglicans, we believe that the Passion and the Resurrection are indispensable ingredients of the Christian narrative, and complete the story of the Incarnation. Is this a message we can no longer communicate to the wider world, leaving what is left of Christianity in the sentimental state to which it is consigned by the makers of Christmas cards?

In fact, religion as a Disney product doesn’t work. We understand the ups and downs of life, and the story of the Passion has its own resonances in today’s world of famine and terror and tyranny. The planes that brought you to exotic holidays also destroyed the World Trade Centre on 9/11. In Ireland specifically, Easter has a strong historical association with passion and redemption, from Easter 1916 to the Good Friday Agreement of 1998. All these associations are still there, but the church has become bad at prompting them in the public mind.

I fear we have become bad at ‘doing Easter’, and sometimes are uncomfortable with the Passion. This Good Friday, as on every Good Friday, I shall find myself moved again as I approach the great Cross during the Liturgy of the Passion. Maybe I shall make just a bit more of an effort not to come to that alone. I don’t necessarily mean that I shall ask my secular friends to accompany me — though perhaps I should — but I shall bring into church with me just a little bit of the world of Easter eggs and special April gifts, and the world of all those travellers on the A350, and maybe I shall take back out with me just a little bit of the Cross, and the great gift of Him who hung thereon.

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in the Temple

After his triumphal entry into Jerusalem, Jesus visits the Temple.

His reaction is one of anger and violence. In the first three gospels, he upsets the tables of the money-changers and those selling doves. In John’s gospel (where this event is strategically positioned at the very start of Jesus’s ministry) he expels those selling cattle, sheep and doves, together with their animals.

It is hard to say if this is a minor skirmish or a major disturbance, but what is clear is that Jesus had issues with the way that the Temple was being run.

The Temple cult, with its associated priests and other officials, was the religious establishment of his day. The sacrifice of cattle, sheep and doves was at the heart of the covenant relationship between God and his people, the Jews. A Jew handed over one of his own animals for sacrifice as a sin-offering, or as a thank-offering for blessings received. In making a sacrifice of his own goods, the faithful and repentant Jew was freed from his sins.

Animals brought for sacrifice had themselves to be pure, free from any defect. Many people in an urban and agrarian setting were unable to provide such animals, and so they could buy them in the Temple forecourt. The purchaser laid their hands on the animal, symbolically taking ownership, before the animal was led away behind the scenes to be sacrificed by the priests.

The buyer thus had little contact with the beast or the sacrifice, despite the requirements of the covenant and the Law.

Jesus saw the relationship with God as being centred around the things that are important to us, everyday meals and deeds and friendships, frequently with the ritually impure. As the psalmist had sung ‘You have no delight in sacrifice; if I were to give a burnt offering you would not be pleased. The sacrifice acceptable to God is a broken spirit; a broken and contrite heart you will not despise’ (Psalm 51.16, 17).

Jesus’s challenge to the establishment is clear, and that challenge echoes down to us too. Established opinion can be comfortable, and cosy, and we can justify to ourselves the decisions we make as being in line with the received view — whether that is the received view of society or the received view of our fellow believers.

Jesus’s action in the Temple makes a dramatic break with the past. We can see it as symbolic of the ending of the covenant, the covenant to which the Temple cult with its animal sacrifices bore witness. The old establishment, with its comfortable certainties, is no more. Its time is past, and a new covenant between God and all humanity will soon take its place — even the outward form of sacrifice will barely endure for another generation before its destruction by the fire of the Roman invaders. We shall see, later in the week, what Jesus puts in its place.

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The missing picture

Fancy some high-class works of art to enrich your Holy Week? Then pop along (as I and a dozen other Bishops on CME did last week) to the National Gallery in Trafalgar Square. Almost every scene has been depicted. In loving detail the great Masters lay before us the Last Supper, Gethsemane, Jesus before the High Priest, and on through to a wonderful image of Christ rising from a sarcophagus clutching a flag of St. George – making him look like a rather dishevelled member of the Barmy Army after a particularly heavy Ashes victory. But something’s missing. And that thing is today – Palm Sunday. Liturgically it’s a major part of the Easter Drama, pictorially it has vanished off the radar.

I’m sure there must be some depictions of Jesus triumphal entry into Jerusalem — and I expect the anoraks among aficionados of this web site to provide us all with hyperlinks — but by comparison with the other major events of Holy Week and Passiontide they are few in numbers. Why?

My suspicion is that Palm Sunday is uncomfortable for Christian art because it is too near the bone. Central to it are people who greet Jesus enthusiastically , scattering palms. And five days later, when he failed to conform to their expectations, they are ready to assent to his crucifixion. The betrayal of Jesus by the Jewish authorities, by Rome’s officers, by the Jerusalem mob and even by his immediate disciples is something we can distance ourselves from. But betrayal by those who cry “Hosanna” and welcome him into their lives as a Saviour, well that’s much harder to push away.

Today we’re forced to think about the equivocal nature of our welcome to Jesus. We let him into our lives and into our faith but on our terms. He mustn’t bring children or those with learning disabilities with him, as they might disturb the peace of our worship. He can help us say our prayers but mustn’t make any major demands on our money. He’s welcome to chide us gently about some of the minor sins we commit, but he must restrict his real challenge to other people’s temptations. And he must be prepared to stand shoulder to shoulder with us in the battle to save the church from those dreadful liberals, conservatives, homosexuals, misogynists, radicals, evangelicals, charismatics, Nigerians, Americans…

To paint the Jerusalem welcome is to depict ourselves, and to draw attention to the conditionality and ambivalence of our faith. No wonder many churches have moved the focus of their Palm Sunday Services to an overview of the whole Passion Narrative, we can lose ourselves among Peter and Judas, Caiaphas and Pilate.

St Francis of Assisi recognised that he would never fully welcome Jesus until he had embraced those he most feared and despised — lepers. He could then go on to welcome Lady Poverty and, in due course, Sister Death. Today you and I are given the opportunity to face a similar challenge. Or we could find some less threatening picture to look at.

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women in the priesthood : women as bishops

Some opposition to women priests appears to centre on the fact that Jesus was a man, and possibly also on the “Fatherhood” of God. The argument assumes that representing Christ at the Eucharist requires a male person. I doubt whether Jesus would have supported the line of reasoning. Matthew 22.23-33 has a story in which Sadducees, who do not believe in the resurrection ask, mockingly, about who will be married at the resurrection to a woman who has had seven husbands on earth. Jesus’ reply is “You are wrong, because you know neither the scriptures nor the power of God. For in the resurrection they neither marry nor are given in marriage, but are like angels in heaven.”

Artists have traditionally followed this guidance by depicting angelic beings without beards or breasts, with no (female) head covering and with clothing which does not denote the sex of the wearer. Depictions of cherubs, sometimes with all the sexuality of the Roman god Cupid, owe more to classical taste than to scripture. Portraying sexuality in angels is mistaken.

Thus Orthodox ikons of the Trinity, which illustrate the appearance of God to Abraham at the Oak of Mamre (Genesis 18) show three angels with wings. The angels look like triplets. They are beardless. The three persons are distinguished mainly by the green robe of the Holy Spirit, and the deacon’s stole on the shoulder of Christ, denoting that he “took the form of a servant”.

Western pictures by contrast might show an old man with a long beard, the young man on the cross, and a dove somewhere between them, with no discernable relationship between the three persons. No doubt it is this somewhat dysfunctional looking image which provides preachers with such a difficult task on Trinity Sunday.

The Orthodox show three beings in fellowship, and the relationship between the persons is devoid of any sexual expression. Christ sits behind a table which clearly also represents an altar on which the Eucharist is presented. He wears his humanity in the deacon’s stole over one shoulder, but the masculinity of Jesus during his life on earth has given way to a depiction in which he is “like the angels in heaven” who “neither marry nor are given in marriage.”

One might then argue that whilst the priest represents the humanity of Christ, what is represented is not just the Jesus of Nazareth who died on the Cross, who was male. Rather, the priest must also represent the risen Christ of the upper room, of Emmaus and of the shore of Galilee, who is “like the angels in heaven” and, mysteriously, difficult even for his closest followers to recognise.

The sex of the priest who represents Christ our great high priest at the Eucharist is then immaterial. The priestly function is not a sexual one, but, in representing Christ who is risen, “neither male nor female”.

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